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♥ Bollywood 1937 Mukti Movie ♥



Movies, also known as films, are a type of visual communication which uses different aspects like moving pictures, dialogues, sound tracks, animations, special effects to tell stories or convey message to audience. Movies are most popular mode of entertainment, a way to have fun. Movies take audience to different zone - making them laugh, cry, or feel afraid. Movies are very powerful mode for communicating message to mass.

Mukti is a Bollywood movie released in year 1937. This movie belongs to social family drama genre. P.C. Barua was director of Mukti movie.

Any Movie is produced by efforts of various experts including writer, singer, editor, screenplay writer, dialogue writer, choreographer, director etc. Starcast of Mukti film includes P. C. Barua, Kanan Devi, Nawab, Menaka Devi, Sailen Chowdhary, Jadish Sethi, Pankaj Mullick, Bikram Kapoor, Prafulla Roy, Devbala, Amar Mullick.

 

Details/Plot of Mukti Movie

This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behaviour. He is married to the rich Chitra (Kanan Devi). The couple are in love but neither partner is prepared to compromise their ideals. The marriage falls apart. Prasanta concedes his wife's demand for a divorce and goes to the jungles of Assam, where for many years his closest associates are a wild elephant and Jharna (Menaka), the wife of an innkeeper named Pahari (P. Mullick). He also makes a sworn enemy of a local trader (Nawab/A. Mullick). Chitra marries the millionaire Bipul (Mukherjee) and they go an elephant hunt. They kill Prasanta's pet elephant. Since Chitra believes Prasanta to be dead he avoids meeting her, but is forced to rescue her from the villainous trader.. Prasanta succeeds but dies at Chitra's feet. The film interprets his death as Chitra's final achievement of the freedom she had craved. Barua contrasts the regressive story presented as static and unresolved, both as narrative and as performance, with a hyperactive environment that overwhelms the trivial nature of the lead couple's desires.

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